Andy Snavley founded Bendy in 2004 after accumulating over 12 years of experience as a composer / sound designer / engineer at top music and sound facilities: Soundstorm, tomandandy, Chris Bell & Company and Mike Recording.  With a fresh creative process and technical adeptness Andy is at home working in various capacities on a variety of projects including film, commercial, television, radio, album release, web and industrial. He brings a unique blend of new and old school production techniques and ever expanding array of tools to each project. Always, however, with a keen eye on schedule and budget.

His interest in all things audio has led him to design a uniquely balanced career-lifestyle, mixing feature films one day, composing music for a commercial another day, and building sound design and recording radio spots the next day (with a few late nights in-between building tube mic preamps and crazy audio circuits.)

"With Bendy I have been able to bring together a talented and friendly group of sound professionals."

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Josh Sklair may best be known for his work with the legendary Etta James, and with two Grammy awards adorning his mantle for his efforts, its not hard to see why. Josh is a rare breed in the music world, equally at ease composing a 50’s period piece or modern pop ballad, his musical voice is authentic, diverse and powerful. He has worked with some of the greatest artists, composers and producers of our time: Diane Warren, Lamont Dozier, Desmond Child, Albert Hammond, Randy Jackson, Barry Beckett, Guy Roche, and Humberto Gatica, to name a few. When Josh isn’t touring or recording with Paul Anka, Etta James, Jeffery Osborne, Sophie B. Hawkins, or the Blues Brothers he finds his home here at Bendy.

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Tor Kingdon got his start in technical theatre work when he was in high school. Through college, he dabbled in almost every aspect of theatre production as well as branching out into video production, photography and fine arts. He moved to Hollywood to feed his yearning for film work and worked in film & TV production for two years before settling in a post sound studio 15 years ago. He hasn't looked back since, developing his chops as a sound designer, supervising sound editor, ADR & Foley mixer and re-recording mixer. Tor brings all his skills and experience to every project, always striving to transcend artificial distinctions between sound editors, designers and mixers.

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Kathleen Edwards has been working with music and sound her whole life. Her auditory journey began playing the violin and continued in Production and Operations at The San Diego Symphony Orchestra, The San Diego Chamber Orchestra, The Mark Taper Forum & Ahmanson Theater. She transitioned her efforts into post-production audio by working with the Emmy Award winning music editorial team at Paramount Pictures. Since then she's expanded her expertise to include sound design, dialog editing, Foley walking and ADR supervision. Kathleen still plays her violin and especially enjoys opportunities to bring her musical ear to sound design and Foley work.

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This former guitarist for Faith No More, who is also associated with the band Sparks, is also an immensely talented composer / sound designer / music editor, and has lent his talents to a multitude of film, television and advertising projects. Dean’s commercial experience blossomed at music and sound design shops tomandandy and Asche & Spencer. His low-key approach is in stark contrast to his high energy sonic sense.

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